This series, COLLECTIBLE In-Depth, unveils the backstage of contemporary creation. Tackling various topics from personal designer processes to the position of collectible design on the global design market, COLLECTIBLE In-Depth offers different views to suit all tastes. Today we speak with Madam Bozarjiants

C: What inspired the concept behind, Gathered Fragments ?

Madam Bozarjiants: The concept of this exhibition is deeply rooted in the universal human experience of forced displacement and the preservation of memory amidst loss. Objects once cherished in the home hold significant emotional and aesthetic value, even when torn from their original context. This exhibition reflects how displaced objects transcend chaos, their beauty heightened by their connection to the past.

C: How did you get into collectible design? Why did you focus your practice on this type of design rather than industrial design?

MB: At Madam Bozarjiants, we were drawn to collectible design because of its emotional depth and personal resonance. Unlike industrial design, which is focused on mass production and function, collectible design allows us to convey stories through objects. It’s about creating a lasting emotional connection while celebrating craftsmanship, culture, and history. Our focus has always been to present works that evoke memories and narratives, offering something more meaningful than pure functionality.

C:  What makes design collectible in your eyes?

NG: For us, design becomes collectible when it transcends pure aesthetics and serves as a conduit for deeper meaning. It must carry an emotional connection, a cultural expression, or a compelling narrative. The works we showcase at Madam Bozarjiants possess layers of history—through materials, craftsmanship, and the stories they tell—that resonate with collectors long after the design leaves the designer’s hands.

C: How has your gallery’s practice evolved since you started working in collectible design?

MB: Our approach has evolved by placing greater emphasis on storytelling and cultural preservation. We’ve increasingly collaborated with designers who focus on the emotional depth and history behind their pieces, emphasizing their personal narratives. Over time, we’ve come to understand that collectible design is not just about beauty, but about creating a bridge between the past, present, and future.

C: What ethical considerations guide your material choices and sourcing practices in the production of collectible design pieces?

MB: Ethical sourcing and sustainability are central to our practice at Madam Bozarjiants. We work closely with designers who prioritize responsible sourcing and support local artisans. Each piece we present must contribute positively to both the environment and the communities behind them. We believe in sustainability, not only in materials but in ensuring that the designs we promote have enduring cultural and aesthetic value.

C : How do you navigate the tension between innovation and tradition in your approach to presenting collectible objects?

MB : At Madam Bozarjiants, we see innovation and tradition as complementary rather than opposing forces. We curate works that honor traditional techniques while exploring how contemporary design can push boundaries and reimagine those traditions. Innovation allows us to engage with the future, while tradition grounds us in timeless beauty and craftsmanship. Our exhibitions celebrate both, inviting visitors to explore designs that connect the past with the present and future.