This series, COLLECTIBLE In-Depth, unveils the backstage of contemporary creation. Tackling various topics from personal designer processes to the position of collectible design on the global design market, COLLECTIBLE In-Depth offers different views to suit all tastes. Today we talk to Jordan Fleming.

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COLLECTIBLE: What do you think collectible design brings compared to other more massively produced pieces? 

Jordan Fleming: Collectible design is like having a rare gem. At first, you might not know exactly what you're looking for, but when you find it, it becomes priceless. Over time, you develop a personal bond with it, drawn to its craftsmanship, the maker's touch, the stories it tells, or its inventive use of materials. Collectible design isn't scared to bend or even break the rules. It's a journey of exploration and admiration, where every piece has its own special allure and tale just waiting to be uncovered.

C: Can you talk about a new piece / collection that you release for COLLECTIBLE this year?

JF: Excited to unveil my latest collection, "Looking at Me Looking at You," at COLLECTIBLE this year! Delving into human social dynamics, especially eye contact, these mirrors feature surreal semi-human sculptures. They capture the essence of meeting a stranger's gaze—awkwardness, intimacy, and unspoken communication. Initially reflecting abstract images, the chrome aluminum mirrors reveal intimate details upon closer inspection, humanizing once unfamiliar faces. Infusing humanity into my designs, this collection sparks personal introspection and meaningful communication. "Looking at Me Looking at You" embodies our belief in a world fostering connection and understanding.

C: Can you briefly describe your process?

JF: My process is an imaginative exploration of materials and capturing an ‘essence’. I primarily use plaster, pigment, metal, and sometimes timber. Each project involves experimenting with new materials to create something unique. For example, my Bright Things collection showcases lampshades crafted from sculpting plaster mixed with raw pigments. I start with abstract doodles, honing them into simple sketches. Developing a technique learnt from local sculptors, I hand-sculpt plaster onto aluminum armature, curing the shades for durability and a matte finish.

C: When designing a collectible object how do you think about its various environments where it can end up?

JF: Crafting collectible objects involves envisioning their environments. Personality-laden items transcend function, adding depth. Embracing oddness creates wonderfully quirky pieces. As an interior designer, I envision their space integration, prioritizing aesthetics. It's about infusing charm, enriching experiences. Ultimately, it's about crafting pieces igniting curiosity wherever they reside.