This series, COLLECTIBLE In-Depth, unveils the backstage of contemporary creation. Tackling various topics from personal designer processes to the position of collectible design on the global design market, COLLECTIBLE In-Depth offers different views to suit all tastes. Today we speak with Elena Mazur.

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C: What dialogue are your bringing this year to COLLECTIBLE?

Elena Mazur:Undoubtedly, this is an open dialogue between generations. In my work, the traditional past is embodied in harmony with the functional present, and the foundations coexist with innovation. Through my products, I strive to remind you of the importance of being aware of our roots and who we are. My works are designed to bring naturalness and simplicity back to our world, which is increasingly influenced by technology and artificial materials.

C: Can you discuss a specific cultural or historical reference that has inspired your recent work in collectible design?

EM: To create my collection "Dunes", which is presented at COLLECTIBLE, I was inspired  by the culture and customs of Karachay-Cherkessia.  The ancient dry felting skills are an integral part of the art of these peoples, which they pass on from generation to generation.

The technique in which the «Dune» is made, I adopted from the skilled craftsmen of Karachay-Cherkessia. In this collection, traditions are intertwined with modern art. The drawings and textures resemble mysterious sandstorms – dynamic, lively and full of energy.  I combined the main material of merino wool with dry felting techniques, which made the works truly unique.

C: Can you talk about a new piece / collection that you release for COLLECTIBLE this year?

EM: This is my first year at COLLECTIBLE and I am happy to present several collections and individual pieces at once. My latest collection, which was created specifically for COLLECTIBLE  —  “DNA”. The “DNA”collection immerses in deep reflections on the connection between generations. DNA acts as a metaphor for the transfer of knowledge, values and traditions from one generation to another. This concept of interaction and continuity is reflected in the works of the collection. The panels are made in monochrome white shade. Long and large roots hang down and go beyond the main canvas, intertwine and expand, forming complex patterns. The collection encourages reflection on roots, uniqueness, and code of life.

C: What ethical considerations guide your material choices and sourcing practices in the production of collectible design pieces?

EM: Since I draw inspiration from the natural world and explore organic textures and shapes, the issue of caring for the  environment and conscious consumption is especially important to me. To create the objects, I use only natural materials, mainly Australian merino wool — soft, hypoallergenic and absolutely safe. This material is not only durable and stable, but also environmentally friendly. Wool decomposes in the soil in just a few years, without harming nature and the environment, which makes my work a harmonious and responsible choice.

C: How do you navigate the tension between innovation and tradition in your approach to designing collectible objects?

EM: I'm not trying to see a contradiction in this. On the contrary, I try to combine these concepts in my work. I have always paid tribute to the traditional craft, without it there would be no art that we know now, in such a variety of forms and expressions. It also strongly concerns the technique of weaving, in which I work and develop myself. My goal is to give traditional weaving a new expression and life, using innovative materials that we can use today. It's an amazing symbiosis.