This series, COLLECTIBLE In-Depth, unveils the backstage of contemporary creation. Tackling various topics from personal designer processes to the position of collectible design on the global design market, COLLECTIBLE In-Depth offers different views to suit all tastes. Today we speak with Kristofer Kongshaug from Boon Room. 

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COLLECTIBLE: How does the digital sphere impact your work? What is your relationship to 3D, AI etc?

Kristofer Kongshaug: Embracing technology is inevitable, and those who initially resist it often find themselves doing so eventually, whether consciously or inadvertently. The evolution of 3D design has shifted the focus from crafting shapes out of tubes and plates to prioritizing volume, making it easier to articulate precise dimensional forms. Sculpting is no longer limited to master craftsmen; it's now accessible through robotics, influencing mass production in industrial settings. While AI offers limitless possibilities, it simultaneously allows companies to enhance efficiency and reduce dependence on the creative talents that bring about magic. Thus, even as I welcome it, I embrace it with a bitter taste.

C: In what way will the digital realm become a part of collectible design?

KK: I believe it's already exerting a significant influence. Presently, the most accomplished designers tend to excel in 3D proficiency, and a substantial portion of their success can be attributed to technology. While proficiency in 3D doesn't automatically qualify someone as a great designer, being a great designer coupled with 3D skills allows for the execution of ideas at an entirely elevated level. But it does not change the fact the human touch, the hand on the work, is what truly makes one great, - you need to be able to show your soul also digitally. 

C:  Can you talk about a designer, whom you admire (designers) / Can you talk about a gallerist, whom you admire?

KK:  have deep admiration for the designers affiliated with BOON_EDITIONS and BOON_ROOM. Each one is an exceptional talent, carefully selected for their ability to make a distinct impact. What sets them apart is that extra touch, elevating their work to the realm of the extraordinary.

C:  What have you been up to recently? What are the next projects/exhibitions you wish to highlight?

KK: This year, we unveil not one, not two, but five captivating new collections by a selection of incredible talents. The new designs will be unveiled during renowned events such as COLLECTIBLE, Pad, Salone, and Paris Design Week in September. 

C: Why is it important for designers to exhibit in a gallery rather than in their own studio?

KK: For the same reason that is important to know how to swim before you throw yourself into deep waters. A gallery is the vessel that guides you across the sea. Being somewhat extreme, if you jump in deep waters and can’t swim, you drown.

Unfortunately, many young talents today underestimate the galleries that invest in their work, failing to comprehend the value they bring. This lack of understanding often stems from impatience and the misconception that success is easily attained. In reality, success is an outcome of persistent hard work and the cultivation of profound relationships over an extended period. Nevertheless, the role as a gallery can be seen as a filter…